91¶¶Òõ

Style Guide

91¶¶Òõ brand/style guide

An institution'sÌý"brand" is a necessary and invaluable marketing tool. A strong brand creates a quick and permenent impression of an organization's identity and mission. The 91¶¶Òõ brand was established, and is reinforced, by logos, graphic elements, font choices, and the use of a consistent voice (Chicago ManualÌýofÌýStyle).Ìý

To ensure that 91¶¶Òõ's brandÌýstays strong and recognizable, all publications, printed and digital, must follow the 91¶¶Òõ style guidelines outlined here.Ìý

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PRIMARY LOGOS

The primary 91¶¶Òõ logo contains two elements: the circle and the wordmark (wordmarkÌýis a term used to refer to a specific design for the written name of an organization, company, or product. It is intended to aid recognition).ÌýThey should always be used as shown in this section of the guidelines.

91¶¶Òõ's wordmark is an original piece of art created for the College. It is not a font. A font should never be used in place ofÌýthe wordmark.

The logo circle can also be used separately on certain collateral, such as header images.ÌýApproved primary logo filesÌýDownload.

The 91¶¶Òõ Seal is also an approved logo that can be used to represent the College. Download the 91¶¶Òõ Seal stuffed file.

91¶¶Òõ Circle with wordmark standard for branding

Dotted pink lines represent where the wordmark should line up with the "w" circle.

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More guidelines on logo usage

Logo Size

Never reproduce the logo at widths smaller than 1.50 inches or 200 pixels. There is no maximum size limit, but use discretion when sizing the logo. It should never be the dominant element on the page; instead it should live comfortably and clearly as a signature.Ìý

Consider using the wordmark only (without the circle) when the logo gets smaller.

Clear Space

Ensure that clear space is maintained around the logo. That way, it’s always legible and has room to breathe. Photos, text, and graphic elements must follow this guideline. Use the circle as shown to gauge the clearance. See example below.

White space around logo.

Approved Logo Colors

Below are the pantone colors for the primary light purple and dark purple 91¶¶Òõ logo.

PANTONEÌýPURPLE 268 C
PANTONE DARK PURPLE 2627 C
PANTONE LIGHT PURPLE 7678 CÌý

PANTONE PROCESS BLACK C

Logo over color and photography
WHITE

When placing the logo on a colored background, it should be reversed out to white, as shown. The background must be either an approved 91¶¶Òõ brand color or the darker area of a photo.

White logo on dark background

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LOGO OVERÌýPHOTOGRAPHY

When placing the logo over photos, consider the image’s overall tone and composition. If the photo is darker, use the reversed-out version of the logo. If the photo is brighter or has a large light area, then use the full-color version. The circle can be white or purple in conjunction with white logo.Ìý

Example of white logo on photo.

Unacceptable treatment of logo

Bad examples of logo treatment

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WESLEYAN COLOR PALETTEÌý

Color helps audiences identify us at a glance, and the way we use color sets the mood for each of our pieces. Our palette is diverse and flexible, but to maintain visual consistency across all 91¶¶Òõ materials, only use the colors outlined in this section.

Our color palette has two layers: the primary colors and a secondary palette.

Lean heavily on our primary palette, but use the secondary palette to build color schemes that are complementary and balanced. This offers us the flexibility to meet the needs of our various communications. These colors are always used at 100% tint, except where indicated.

NOTE:ÌýFor printing materials, it’s best to use spot colors (PMS). If that isn’t possible, please use the four-color process builds listed here, because they match our spot colors most closely.
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PRIMARY COLOR PALETTE

Approved purple color for Branding 91¶¶Òõ

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SECONDARY COLOR PALETTE

Approved secondary colors for 91¶¶Òõ Branding.


USING COLOR

To strike the right balance of color for each audience, use these recommended palettes as a guide to proper color ratios.

Use the primary colors prominently in all print and digital collateral. These colors are typically used for type and icons. The secondary color palette can be used sparingly to not overshadow the primary colors.

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WESLEYAN TYPOGRAPHY

  • MAINÌýSANS-SERIFÌýFONTS

    • Work Sans

    • Bebas Neue

    • Montserrat

  • SECONDARY/SUPPORTING SERIF FONTS:

    • Minion

    • Century Old Style

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RELATED LINKS

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